As city dwellers, artificial light is as natural to us as daylight. And in our built environment nature is often the transplanted reality.  These are photographs of man-made light in the natural world: sodium vapour on cherry blossoms, metal halide on grass, florescent on bamboo, and so forth. The tension between what is natural and what is artificial, in material and in perception, forms the basis of this series made in Japan, China, Korea and Thailand.
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Untitled #5, Nakhon Phanom, 2011
Untitled #5, Nakhon Phanom, 2011
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Untitled #10, Okinawa, 2009
Untitled #10, Okinawa, 2009
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Untitled #6, Nong Khai, 2011
Untitled #6, Nong Khai, 2011
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Untitled #22 (Daylight), Vientiane, Laos, 1996
Untitled #22 (Daylight), Vientiane, Laos, 1996
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Untitled #3, Yokohama, 2009
Untitled #3, Yokohama, 2009
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Untitled #14, Lianzhou, China, 2011
Untitled #14, Lianzhou, China, 2011
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Untitled #4, Yokohama, 2009
Untitled #4, Yokohama, 2009
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Untitled #13, Shenyang, 2007
Untitled #13, Shenyang, 2007
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Untitled #1 (Blossoms, Yokohama), 2009
Untitled #1 (Blossoms, Yokohama), 2009
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Untitled #7, Bangkok, 2011
Untitled #7, Bangkok, 2011
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Untitled #20, St Maarten, 2012
Untitled #20, St Maarten, 2012
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Untitled #16, Udon Thani, 2011
Untitled #16, Udon Thani, 2011
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Untitled #9, Okinawa, 2009
Untitled #9, Okinawa, 2009
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Untitled #8, Okinawa, 2009
Untitled #8, Okinawa, 2009
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Untitled #11, Okinawa, 2009
Untitled #11, Okinawa, 2009
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Untitled #2, Lianzhou, China, 2011
Untitled #2, Lianzhou, China, 2011
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Untitled #19, Tree at Twilight, 2008
Untitled #19, Tree at Twilight, 2008
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Untitled #12, Seoul, 2011
Untitled #12, Seoul, 2011
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Untitled #18, St. Maarten, 2012
Untitled #18, St. Maarten, 2012
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Untitled #23, Bush in Alley, 2012
Untitled #23, Bush in Alley, 2012
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Untitled #14 (Audrey), Okinawa, 2012
Untitled #14 (Audrey), Okinawa, 2012
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